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Bored by the journey, Heather starts dreaming up a series of wild fantasies.

The first story is a rather harmless piece of fluff involving a farm boy and girl as they cavort in the sun on a warm autumn's afternoon.

"Diversions" even in its uncut form is not as shocking as it's reputed to be.

This is certainly the most explicit and disturbing sequence I've seen in any British horror film and its inclusion is quite unknown, other than to shock the dirty mac brigade by its unexpected appearance.

Well, it's not like Britain to produce hardcore porn, and while this film is probably I'm not too well versed in seventies British porn, to be honest one of the most graphic examples of the genre that Britain has to offer; it's not as hardcore as a lot of it's American counterparts e.

The linking story concerns prisoner Imogene Heather Deeley travelling to a location by train; it is here that we the viewer are privy to her innermost thoughts as she contemplates her situation, and then we witness her memories and fantasies involving the fellow carriage members, saving money by re-using actors which make up the five mini-films.

This movie, for instance, contains a disturbing "fantasy" sequence that supposedly takes place in a Nazi prison camp.

American porno roughies like "Forced Entry","The Taming of Rebecca" or "Femmes de Sade" are much more disturbing.

To counteract her boredom, she begins inventing tales of strange and somewhat nasty sexual encounters, which we get to witness.

Finally Deeley buys a vintage camera from a brick-a-brack shop, takes it home,does some sexy poses in front of the antique, and ends up seduced by the camera's previous owner a Tod Slaughter-look ghost Anthony Kenyon.

The story follows the extreme sexual fantasies of lissom beauty Heather Deeley.

Aside form the very explicit heterosexual and lesbian sex scenes, the movie is chock-a-block with horrifying overtones of violence.