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I absolutely loved working with the think tank, and I was so thrilled.

Seema pioneered the consensus organizing for theater methodology, created the green theater choices toolkit, which has been used by theaters and universities on five continents, and is currently engaged in research on the neuroscience of theater.

She is honored to return.

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This is a challenge we can all relate to.

Yet their experiences are extremely disparate, demonstrating the multifaceted nature of life in the United States.

Her methodology ensures each production is speaking to, engaged with, and informed by a diversity of communities that build stake in the project.

to get to Stage Directions at PLSN and keep up with all the latest theater news! But along the way as the pandemic wore on, I started doing some great introspection and values clarification and really clarified for myself that I wholeheartedly believe in the art form of theater, that it is and can be transformative and can contribute to building healthy and successful communities.

Or as I went to the grocery store and could see the staff there very stressed, double-masked behind Plexiglas, what could we offer them if we had put artists-in-residence throughout our communities during this pandemic and beyond the pandemic? Kenan Institute for the Arts and the UNC School of the Arts.

Now, Arena Stage pre-pandemic was a high-functioning machine that would produce 10 robust productions a year, including a number of world premieres, but to do it, it relied on the structure.